
[This entry is cross posted at ordinary-times.com]
I’ve been in Italy, so I missed a few POETS Day Fridays, or “Fridays” as the Italians call them, but with an accent (everybody over there except one Salerno cab driver speaks English, and I have my suspicions about him.)
Anyway, Piss Off Early, Tomorrow’s Saturday. Cut out of work while the sun’s still out and enjoy a heat-staving scoop or two of gelato at any one of whatever block’s you happen to be on many gelaterias. Gather a few friends and put your heads together to figure out why you’re encouraged to touch this Coliseum wall but get snipped at by security if you touch that identical one. Hold up a lemon bigger than your head. Swim in ridiculously blue seas while staying determinedly out of any body called a canal. Very refreshing.
First, a little verse.
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Augustus John’s portraits tell stories. Frightful stories on occasion. I read somewhere some time ago, so forgive the lack of attribution, that he could be so insightful – and equally capable of conveying his insights – as to be “cruel.” His Roy Campbell adorns the cover of Peter Alexander’s biography of the poet. Campbell, pre-paunch and balding, looks impressionable in his Spanish countryman get-up. John’s painting sets the stage for Alexander’s telling of a man of immense talents swayed by passions he mostly grasped. It’s a great book, but I judge the cover better.
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