Category Archives: Literature

POETS Day! John Crowe Ransom

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[This entry is cross posted at ordinary-times.com]

As a fan of blazers, light sweaters, and undershirts I celebrate the slow but welcome change to slightly cooler highs. If such things repulse you, or even annoy you to a slight degree (Hah!), I’m sorry. The sunny hot times are waning.

I don’t know where you live. This may be too late, but there could be some swelter left in the wide sky part of the day. Get out there and sweat when the sun is highest. Piss Off Early, Tomorrow’s Saturday. Not many t-shirt afternoons left so don’t squander them working. Have POETS Day in the sunshine. Go. Be on your way.

But as per usual, take a moment for a little verse.

***

First, the elephant in the room: the guy had a bad-ass name. A surname is a surname so his patents may not be due any credit for the cool-sounding kicker. Crowe was his mother’s maiden name and John was his father’s first name too, so John Crowe Ransom as a moniker was a matter of judicious assembly. They could have screwed it up, though. John James Ransom was a preacher in small town Tennessee; a Methodist so probably not as fire and brimstone as some of the neighbors and less likely to need anti-venom, but any preacher’s son risks the possibility of facing the world as Ada Hezekiah or Enoch Zerubbabel. I might read a poem by Enoch Zerubbabel Ransom, but his first task as a poet would be overcoming my giggle. Nobody needs that headache.

John Crowe – and I think you have to say the two names together with an implied hyphen like you would John Paul or Mary Beth – sounds numinous. He’s a half-Indian warrior guide who saves an expedition foolish enough to ignore his earlier warnings, straight out of James Fenimore Cooper. He’s an outlaw so mean, he once shot a man for snoring too loud. Or more modern, he’s a wizened Kerouac reading high school dropout biker whose gang scares off the preppies so Eric Stoltz can have his dream date. It’s a larger-than-life name. His parents did him well.

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POETS Day! The Other Side of James Hogg

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Allan, William; James Hogg (1770-1835), Poet (The Ettrick Shepherd) (The Ettrick Shepherd’s House Heating or The Celebration of his Birthday); National Galleries of Scotland

[This entry is cross posted at ordinary-times.com]

It’s almost another work week gone and there’s no sense in waiting for the official end. Call it a POET’S day and Piss Off Early, Tomorrow’s Saturday. There are books to read, people to meet, shows to catch. Shave a few hours off a Friday and enjoy.

First, a little verse for you.

***

I didn’t know he was a poet.

Until yesterday I knew James Hogg only as the author The Private Memoirs and Confessions of a Justified Sinner and I don’t know… a lack of curiosity or preoccupation with whatever shiny thing served as a diversion after reading that novel led me elsewhere. I’ll say that his book came to my attention in the first place when I was reading and reading about Muriel Spark’s The Prime of Miss Jean Brodie, a book that if you’re unfamiliar, either so fascinates you that a third or fourth reading still reveals something new, or you don’t like it much at all.

The mystery writer Ian Rankin wrote his thesis on Miss Jean Brodie and in an interview he said that the main character claimed to be a descendant of Willam Brodie, a respected 18th century cabinet-maker who socialized with all the right sorts of people and spent his evenings burgling Edinburgh. Apparently, locksmithing was folded into the expected duties of a cabinet man in Scotland during the Age of Enlightenment and he kept key copies. It was a scandal when he was caught and chattering about living a double life commenced. The affair was among the inspirations for Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. According to Stevenson, another was Confessions, a book he said “has always haunted and puzzled me.”

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POETS Day! Thoughts on Part IV of TS Eliot’s “Burnt Norton”

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Sunflower in Bavaria, November 2020 – Kritzolina

[This entry is cross posted at ordinary-times.com]

Welcome once again to POETS Day, that wonderous day where we do our best to usher in Henry Ford’s greatest creation – the weekend – a few hours ahead of schedule by embracing the ethos of the day: Piss Off Early, Tomorrow’s Saturday.

Life’s too short for work, and nobody’s gonna notice if you hoof it mid-afternoon.

***

T.S. Eliot will with good reason be best known for The Waste Land, but it’s not uncommon to come across writings that hold up Four Quartets, considered as a whole, as the better work. The former was epochal. There is poetry before The Waste Land and poetry after, the full scope and impact being the subject of numerous heavy books. The Waste Land had the advantage of making a larger splash, not having been presaged by The Waste Land as Four Quartets was. I gladly claim agnosticism; “They can both be great,” and such. Being above the fray hides all manner of deficiencies in judgement.

“Burnt Norton” was the first of the Four Quartets, published in 1936 as part of Eliot’s Collected Poems 1909–1935. In the course of production or during the run up to his play, Murder In the Cathedral, a number of lines were discarded on advice of his director, E. Martin Browne. Eliot held Browne in some esteem – the two would continue to collaborate over the following two decades – and so deferred as to what was appropriate for the stage but he held on to the lines. He hated waste. James Matthew Wilson tells us in an informative video about “Burnt Norton” (one of four in a series on Four Quartets to which I’ll be referring to in this post – well worth your viewing time) that he was slow to write, or if not slow, frustratingly contemplative. “Constipated,” Eliot would say. It wasn’t his desire to waste what was painstakingly crafted, so a priest’s struck dialogue from Murder in the Cathedral begins his poem. In the gardens of Burnt Norton, a manor house Eliot once visited with Emily Hale, he says to her,

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.

“Burnt Norton” is in five parts, as was The Waste Land and later the remaining of the Four Quartets. Eliot wrote extensively on Elizabethan drama and its five act structure is certainly being mirrored, but Wilson points out that Eliot was a devout man and this is a religious work so we see in the five parts the structure of mystical prayer. Here I’m paraphrasing, but first setting, then discovery or imagination of setting followed by a contemplation or inward turn. Fourth is a purgation, some sort of repentance or prayer of hope. Finally, we have a reconciliation.

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POETS Day! Anthony Hecht

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© OpenStreetMap-Mitwirkende, openstreetmap.org, CC BY-SA 2.0.

[This entry is cross posted at ordinary-times.com]

I used to work for a wine distributor. I’d carry open bottles around in my shoulder strap cooler and pour a taste for buyers and employees at restaurants and wine shops, take orders, and treat people who bought a lot or used to buy a lot but had slipped recently to lunch. It was fun at first, but after a while it became like any other job. The idea of working “in wine” is great and all, but given time and it loses its luster. You’re moving product. Might as well be shoes.

The bonus was the built in POETS Day. You didn’t need to make a “Piss Off Early, Tomorrow’s Saturday” type declaration, because if all went as planned, trucks checked in that deliveries were made to all your accounts by one or two Friday afternoon and that was that. The wine buyers had weekend diners to plan for, cases to help party throwers carry to their cars, etc. And, you had whatever dregs of tasting wine was left in the shoulder bag to sip with friends. Long lunches that bled into weekends were the norm. Expected.

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POETS Day! Useful Lines and a Favorite from Pound

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[This entry is cross posted at ordinary-times.com]

There is a new Inspector Rebus TV adaptation out, at least if you’re in England or Australia. We can’t watch yet, but I have Brit Box, so hope springs. I misread the release date for the new novel. Midnight and Blue, the twenty-fifth book in the series, comes out on October 15th. Not August 15th, as I was anticipating. I am bereft.

I named my dog Rebus, if that gives any idea of how much I enjoy the books. He’s a good dog, considerate but determined when he wants something and not above cutting corners, much like his namesake. Sir Ian Rankin, the series author, responded on Twitter with wishes to a picture of him chewing on his birthday toy one year, and a birthday wish again the following two – prompted, but still. That may be the only interaction I’ve had with a peer.

It was in those books that I first came across the POETS Day concept. Rebus and Siobhan, who’s gone from supporting role to near co-protagonist, were calling it a day one Friday afternoon. POETS Day isn’t an invention of Rankin’s. Apparently, the idea has been around long enough for lost origins. But I first heard is called such by John Rebus. Piss Off Early, Tomorrow’s Saturday.

I can’t believe I have to wait another two months for that book. Time for some verse.

***

I use a line – overuse, my children might say – from Yeats whenever the opportunity pops up; “O saddest harp in all the world.”

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POETS Day! A.E. Housman’s A Shropshire Lad

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[This entry is cross posted at ordinary-times.com]

School has started abominably early. This is the first Friday of the new school year for one of my children and I’m disgusted by overreach. The other starts next week. A proper summer vacation starts on Memorial Day and ends on Labor Day. Anything else is a presumption on liberty. Piss Off Early, Tomorrow’s Saturday.

Listen to Roger Waters, and if you don’t know what I mean by that, piss off early and stream Pink Floyd’s The Wall. Learn something worth learning. But first, a little verse.

***

The very popularity of Housman’s poems poses something of a problem, an embarrassment, for literary critics, who are more comfortable explaining the glories of the obscure than extolling the virtues of the accessible.
– “The tragi-comedy of A. E. Housman” by Anthony Daniels, The New Criterion, March 2014

Alfred Edward Housman was a classics scholar, and a great one; “beyond serious dispute, among the greatest of all time,” according to Shakleton Bailey, apparently an impressive classics scholar himself, in the pages of a 1959 Listener magazine. He failed to get his degree at St. John’s College, Oxford. The hindsight view is that he focused too much on the lines of study that interested him to the detriment of the whole required to graduate. I’ve also read that he spent too much time with friends.

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POETS Day! Comparing Apples and Rossettis

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Lady Lilith by Dante Gabriel Rossetti (cropped)

[This entry is cross posted at ordinary-times.com]

This is no time to be outdoors. It’s only 91° here in Alabama. I say “only” because we’ll settle into the mid to high nineties and see a hundred a few times before the summer’s gone, but this is the first time we’ve hit the nineties this year. I need acclimation time. This is regularly timed heat. It happens every year and we all know it’s coming, until it suddenly does.

There’s no easing into it. It’s not like a soothing warm shower where you can start at tolerable and slowly increase towards shipwreck-fog-thick steam (although it’s arguably as humid.) It’s not like a cold pool where you wade slowly in, brief tiptoe, and then settle. This is immediate and all the worse knowing how wonderfully air conditioning cools if only you were in it. It’s Tartarus.

Just a few days ago I wore a now unthinkable blazer. If you work outside, you don’t need convincing. Piss Off Early, Tomorrow’s Saturday. Get to shade. Save yourself. Whatever they’re paying you will be enough in a few days when you’ve had time to adjust, but right now, it ain’t.

Conversely, if you work inside you may wanna sit this week out. There will be other POETS Days and some people swear by deferred pleasure. You’re not sweltering. Stick around a while and make sure you’re seen. Maybe read a little verse.

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